The Save London Music Campaign is saddened to learn of a proposal to redevelop the Midland Hotel, one of the areas best loved pubs. This venue has a close association with our campaign, hosting our original launch party in February 2015 and our annual campaign Birthday party.
The details of the plan are as follows
(for full details click here https://publicaccess.barnet.gov.uk/online-applications/ and put 18/4961/FUL in the search key)
The Save London Music Campaign is delighted to have been informed that our submission has been accepted by the Department of Culture, Media and Sport as part of their inquiry into Live Music. Submissions have also been accepted by several other campaigns we have links with (Click here for the full list). We are pleased to see that the Live Music Forum, Association of Independent Festivals and Music Venues Trust have also seen their submissions accepted. It is interesting to see that much of what these three submissions say is the same, if phrased in a different manner, although the Association of Independent Festivals submission has a slightly different tack, as the issue of ticket abuse is tackled.
The Save London Music Campaign is working to support hard pressed London Promoters. Good promoters have, over the years, defined the shape of the London Music scene. Generally the very best combine a love of music, a passion for a specific genre, a strong focused vision and a good degree of business acumen. Sadly it doesn’t take much to upset the delicate balance of income and expenditure that promoters need to ensure the bills are paid and the music can continue. Our campaign is rooted in local, grassroots music. A fine example of one such promoter is Valerie O’Donoghue, who has run the Mill Hill Jazz club for nearly a decade, taking over from founder Paul Amsterdam. Val has brought an amazing collection of the best Jazz acts to Mill Hill in North West London over the years.
The Save London Music Campaign has primarily been concerned with preservation of the venues, studios and creative spaces in London. None of these would have a purpose without music promoters. Good promoters have, over the years, defined the shape of the London Music scene. Generally the very best combine a love of music, a passion for a specific genre, a strong focused vision and a good degree of business acumen. One of the very best of these is Sean Flowerdew. Back in 1988 Sean set up the London International Ska Festival. Anyone who loves Ska, Reggae, Calypso and Rhythm and Blues will have in some way had their lives touched by the Ska Festival. Since 1988 the festival have been bringing legends over from Jamaica, showcasing local talent and keeping the genre of music on the map. Many amazing artists, who had years of struggle have seen their careers revived by the efforts of Sean and his team. I recently saw the legendary Jamaican artist Derrick Morgan at the Jazz Cafe. The resurgence in his career was a direct result of the support from the festival. Amazing London bands such as the Potato 5 have also been kept on the map. This year the festival saw legends such as Ken Booth and Desmond Dekker appearing.
By Roger Tichborne, Founder of the Save London Music Campaign.
Summer feels like it has arrived in our little corner of the worlds greatest city. Even better news is that we have a couple of amazing weekends of live music coming up. On the 19th and 20th, we have the amazing North Finchley Festival. There will be nearly 60 bands playing at six venues in North Finchley. We’ve got an eclectic mix of music with just about every genre of music represented.
After a decade and a half of decline, we are finally starting to see the tide turn in the battle to save Londons live music scene. In 2016 the Mayor of London set up a London Music Board and has also appointed a Night Tzar for music (Amy Lame). A recent report by the board has reported that the tide is turning and for the first time in a decade, the number of grassroots venues has remained stable.
Mark Sutherland has written an excellent article for music week about agent of change legislation/
The news that the government will now support plans to include the “agent of change” principle in planning law was a great victory for UK Music and all the other campaigners who turned up at the recent demonstration in Westminster and have kept the pressure on in recent months.
But, while anything that helps out the beleaguered pubs and clubs that remain the lifeblood of local scenes has to be good news, smaller venues will need more than a sympathetic ear over noise complaints if they’re to survive in the music industry’s bold new future. Such complaints are usually the final straw in a venue’s demise, rarely the first one.